İngilizce Hikayeler (10'larca)

**İsyan Ateşi** · 03-03-2008, 07:57 PM

The Adventures of Tom Sawyer revolves around the youthful adventures of the novel’s schoolboy protagonist, Thomas Sawyer, whose reputation precedes him for causing mischief and strife. Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides.

Unlike his brother Sid, Tom receives “lickings” from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn the town’s social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a “tattle-tale.”

As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of one girl in particular: Becky Thatcher, the Judge’s daughter. When he first sees her, Tom immediately falls in love with Becky. After winning her over, Tom suggests that they “get engaged.” But when Tom accidentally blurts that he has been engaged before to Amy Lawrence, he ruins his relationship with Becky and becomes heartbroken.

One night, Huck and Tom sneak off at midnight to the town’s graveyard, where they are planning to carry out a special ritual used to cure warts. Believers in superstition and folklore, the two expect the graveyard to be full of ghosts. After hearing voices approach them, the two boys hide in fear; the voices belong to Injun Joe the villainous savage, Muff Potter- the town drunk, and Dr. Robinson. The three men are grave robbing! Soon, a fight breaks out between Dr. Robinson and the two other men. As Dr. Robinson grabs a headboard and knocks the liquored Muff Potter into unconsciousness, Injun Joe grabs Muff’s knife and stabs the doctor to death. The boys run away from the graveyard before they learn that Injun Joe is planning on framing Muff for the doctor’s murder. Fearful of Injun Joe and horrified at what they have witnessed, Huck and Tom vow to keep silent regarding the night’s events.

The next day brings only grief for Tom. Aunt Polly learns from Sid that Tom snuck out the night before and cries over him. At school, Becky snubs Tom by paying no heed to his boyish antics. Hurt and angry, Tom assembles a “gang” of pirates: himself, Joe Harper, and Huck. The three boys decide that they have had enough of normal society and run away to Jackson Island, in the middle of the Mississippi River. When the boys are missing, the whole town assumes that they have drowned in the river and villagers drag the river for their bodies. In the darkness of the night, Tom sneaks off the island to return home and leave a note for Aunt Polly informing her that he is not dead. Instead, he overhears Polly and Mrs. Harper making plans for their funerals. The boys then wait until the morning of their own funeral, sneak back into town and attend their own funerals before revealing to the congregation that they are alive!

At school, the boys are the envy of each pupil; however, Tom has still not won back Becky’s heart. When Tom inadvertently catches Becky reading the schoolmaster’s book, she jump out of surprise and breaks it. Later that day, when the schoolmaster questions Becky whether it was she who broke the book, Tom lies and says that it was he who committed the act. Although he takes the punishment for Becky, he wins back her love and attention.

After school is let out for the summer, Muff Potter’s trial begins. The town of St. Petersburg has already convicted the innocent man in their minds. Tom and Huck are both racked by their guilty consciences, and are made to feel even worse when Muff Potter thanks them for being kind to him. When the trial begins, the defense council calls Tom Sawyer to the witness stand. To the surprise of Huck, Muff Potter, and all those who are in the audience, Tom divulges all he knows about the murder, naming Injun Joe as Dr. Robinson’s killer. Before the trial ends, Injun Joe sprints out of the courtroom before anybody can catch him.

Injun Joe is declared missing and Muff Potter is set free with the apologies of the town. Meanwhile, Tom is afraid that Injun Joe will attempt to seek revenge on him for being a witness, and Huck holds similar fears. One day, Huck and Tom decide to dig for buried treasure at the old haunted house on Cardiff Hill. As they begin their search, the entrance of two strange men surprises the boys. In hiding, Tom and Huck realize that one of the men is Injun Joe in disguise as a deaf-and-dumb Spaniard. Tom and Huck watch as Injun Joe and his accomplice discuss plans for a “revenge job.” The two villains are planning to hide a bag of six-hundred dollars in the haunted house and meet back there; but when they hide their bag of money, they discover a box of buried treasure that has already been hidden in the haunted house treasure that once belonged to a gang of robbers. The villains decide to hide their loot in “Number Two” under “the cross” and exit the house. Obsessed with obtaining the treasure, Tom and Huck make plans to follow Injun Joe and find out where the treasure is buried.

Becky, who has been out-of-town, returns to St. Petersburg and holds a picnic for all of her friends. As part of the picnic festivities, the children go exploring in MacDougal’s cave: a large cave with secret underground passageways. Unbeknownst to the other picnickers and adults, Tom and Becky lose themselves within the depths of the cave.

In the meantime, Huck has resigned himself to waiting outside the Temperance Tavern, where they suspect Injun Joe is staying. On the brink of giving up, Huck’s patience is rewarded when the two villain step out into the night and head off towards the haunted house. But instead of entering the haunted house, the villains go toward the old Widow Douglas’s house, with the intention of torturing and maybe even killing her. Remembering times when the widow bestowed her kindness upon him, Huck races toward the Mr. Jones’s house, informing him of Injun Joe’s plans to hurt the widow. Mr. Jones and his two younger sons hurry over to the widow’s estate and scare off Injun Joe and his accomplice before any harm is done.

The word of Widow Douglas’s near attack is circulated around town. But news of the missing children breaks out, and for the moment, the entire town concentrates on praying and searching for Tom and Becky. Deep within the cave, Tom and Becky have lost all sense of direction. With the last of their candle burnt out and no food to eat, the two are aware that they may starve to death. Tom attempts to comfort Becky, and continues to explore the cave’s passages in hoping of finding a way out. Winding down one passageway, Tom sees a man and shouts to him; to his surprise, the figure belongs to Injun Joe! Frightened by Tom’s shouts (and not recognizing the boy’s voice), Injun Joe runs away. Tom never tells Becky of this incident, for fear that we would cause her even more worries. Eventually, Tom’s persistence pays off when he discovers a tiny hole that the children manage to crawl through and escape peril.

With the safe return of Becky and Tom, the town of St. Petersburg rejoices. Judge Thatcher orders that the door to MacDougal’s cave be locked and sealed with metal. When Tom learns of this, he tells finally tells the Judge that Injun Joe is in the cave. Upon breaking the sealed door, Tom, the Judge, and the other citizens find Injun Joe at the mouth of the cave, starved to death.

When he meets up with Huck, Tom informs him that he knows where the treasure is buried. Mistaking the treasure for lost, Huck is eager to return to MacDougal’s cave with Tom in search of the money. After recovering the treasure from the cave, the two boys return to town, only to be ushered into the Widow Douglas’s parlor. To express her gratitude towards Huck for saving her life, the widow intends on giving Huck a permanent home and providing him with an education. Declaring that Huck is now independently wealthy, Tom spring forward with their newfound treasure, totaling over twelve thousand dollars.

To conclude, to novel ends with Huck and Tom discussing their future plans of becoming world-class robbers.

Mark Twain

**İsyan Ateşi** · 03-03-2008, 07:58 PM

Alice is sitting with her sister outdoors when she spies a White Rabbit with a pocket watch. Fascinated by the sight, she follows the rabbit down the hole. She falls for a long time, and finds herself in a long hallway full of doors. There is also a key on the table, which unlocks a tiny door; through this door, she spies a beautiful garden. She longs to get there, but the door is too small. Soon, she finds a drink with a note that asks her to drink it. There is later a cake with a note that tells her to eat; Alice uses both, but she cannot seem to get a handle on things, and is always either too large to get through the door or too small to reach the key.

While she is tiny, she slips and falls into a pool of water. She realizes that this little sea is made of tears she cried while a giant. She swims to shore with a number of animals, most notably a sensitive mouse, but manages to offend everyone by talking about her cat’s ability to catch birds and mice. Left alone, she goes on through the wood and runs into the White Rabbit. He mistakes her for his maid and sends her to fetch some things from his house. While in the White Rabbit’s home, she drinks another potion and becomes too huge to get out through the door. She eventually finds a little cake which, when eaten, makes her small again.

In the wood again, she comes across a Caterpillar sitting on a mushroom. He gives her some valuable advice, as well as a valuable tool: the two sides of the mushroom, which can make Alice grow larger and smaller as she wishes. The first time she uses them, she stretches her body out tremendously. While stretched out, she pokes her head into the branches of a tree and meets a Pigeon. The Pigeon is convinced that Alice is a serpent, and though Alice tries to reason with her the Pigeon tells her to be off.

Alice gets herself down to normal proportions and continues her trek through the woods. In a clearing she comes across a little house and shrinks herself down enough to get inside. It is the house of the Duchess; the Duchess and the Cook are battling fiercely, and they seem unconcerned about the safety of the baby that the Duchess is nursing. Alice takes the baby with her, but the child turns into a pig and trots off into the woods. Alice next meets the Cheshire cat (who was sitting in the Duchess’s house, but said nothing). The Cheshire cat helps her to find her way through the woods, but he warns her that everyone she meets will be mad.

Alice goes to the March Hare’s house, where she is treated to a Mad Tea Party. Present are the March Hare, the Hatter, and the Dormouse. Ever since Time stopped working for the Hatter, it has always been six o’clock; it is therefore always teatime. The creatures of the Mad Tea Party are some of the must argumentative in all of Wonderland. Alice leaves them and finds a tree with a door in it: when she looks through the door, she spies the door-lined hallway from the beginning of her adventures. This time, she is prepared, and she manages to get to the lovely garden that she saw earlier. She walks on through, and finds herself in the garden of the Queen of Hearts. There, three gardeners (with bodies shaped like playing cards) are painting the roses red. If the Queen finds out that they planted white roses, she’ll have them beheaded. The Queen herself soon arrives, and she does order their execution; Alice helps to hide them in a large flowerpot.

The Queen invites Alice to play croquet, which is a very difficult game in Wonderland, as the balls and mallets are live animals. The game is interrupted by the appearance of the Cheshire cat, whom the King of Hearts immediately dislikes.

The Queen takes Alice to the Gryphon, who in turn takes Alice to the Mock Turtle. The Gryphon and the Mock Turtle tell Alice bizarre stories about their school under the sea. The Mock Turtles sings a melancholy song about turtle soup, and soon afterward the Gryphon drags Alice off to see the trial of the Knave of Hearts.

The Knave of Hearts has been accused of stealing the tarts of the Queen of Hearts, but the evidence against him is very bad. Alice is appalled by the ridiculous proceedings. She also begins to grow larger. She is soon called to the witness stand; by this time she has grown to giant size. She refuses to be intimidated by the bad logic of the court and the bluster of the King and Queen of Hearts. Suddenly, the cards all rise up and attack her, at which point she wakes up. Her adventures in Wonderland have all been a fantastic dream.

Lewis Carroll

**İsyan Ateşi** · 03-03-2008, 07:59 PM

In the immediate aftermath of the fall of Troy, the play opens at King Agamemnon’s palace in Argos with the lonely Watchman’s soliloquy. From the roof of the palace, the Watchman begs the gods for respite from his interminable watch. The stars, his sole, plentiful and steadfast, companions seem to him like so many “dynasties” revolving in endless cycles, waxing and waning, moving out of winter into summer and back again. What he wishes, in short, is rest.

He relates how he has been obliged by the queen to keep watch for a fire. Further he cannot sleep for restless fear. In his musings he hints of a great bygone woe, “the pity of this house,” which he hopes will soon be redeemed. The flames, he says, would presage positively. Far off in the distance, then, a light glows, and the Watchman spies a messenger’s blaze that hails the fall of Troy. He draws a joyous analogy to a sunrise. The soliloquy closes with the Watchman hopeful that his king will return home, since the house, he says, has too long wallowed in a dismal sadness.

The senescent Chorus enters and begins its recapitulation of the commencement of the Trojan war tens years previous: the call to action, the deploying of the one thousand ships, the loss of so many young Argive lives. They go on to explain that the devastating fall is the exacting of a procrastinated punishment by angry gods upon the transgressors, mainly, Paris and Helen.

Clytaemestra enters and the Chorus continues. They inquire about the bonfires, sacrifices, and oblations the queen has ordered to be executed throughout the city, to all the gods. She is mute.

The Chorus recalls the omen, interpreted by a seer, of the hare tore open while still “ripe, bursting with young unborn yet.” We are made aware that “the secret anger” which “remembers the child that shall be avenged,” refers to anger over the sacrifice by Agamemnon of his maiden daughter Iphigeneia. Next, the disapproving Chorus outlines Iphigeneia’s sacrifice at the hands of her battle-impassioned father, though without reaching its climax. What is to come, the future, the action of the play, apparently lies in the hands of Clytaemestra.

Clytaemestra announces victory at Troy. The leader of the Chorus, understandably skeptical, questions her source. She cites the concatenation of fires, beginning with the one in Troy, relayed across watchman at various posts, ending with our Watchman. Asked to unfold more of the story, the queen imagines the plundering of Troy at the moment, and warns the Chorus that the men should perpetrate no sacrilege, should maintain reverence for the foreign city’s gods and citizens, lest in the act of despoiling, they despoil themselves before the journey home.

The Chorus interprets the news as the divine justice of Zeus on Paris, for his having stolen Helen away from Menelaus, her husband. There is no escape, they say, from perdition. But justice has come at great cost, and the lives of young men burn to dust in the flames - the people of Argos hate the war. The several Chorus voices its skepticism over the signal once again, displaying a jadedness. Then the Herald, a warrior, appears with word of Agamemnon’s imminent arrival. He voices how terrible was his homesickness and how sweet its new relief. Following this news, Clytaemestra reminds the Chorus of its haughty attitude toward her “womanish” credulity, then openly proclaims her long, chaste fidelity to her husband. She moves backstage to make ready for his return.

An inquiry is made by the Chorus to the Herald as to Menelaus’ state and whereabouts. It turns out he has disappeared in a terrible storm at sea. The Herald exits after narrating the storm. The Chorus, left alone on stage, muses again on the lamentable results of Helen and Paris’s marriage. Daring is recorded as the undesirable offspring of aged Pride. Soon, Agamemnon, with Cassandra, a captive soothsayer, beside him, enter in a chariot. The leader of the Chorus admits to the king that, although he had despised of his decision to pursue Helen at all costs, he wholeheartedly welcomes his return. Agamemnon is eager to give thanks to the gods for his triumph.

Speaking to her husband in front of an assembly of Argive citizens, Clytaemestra relates how trying her wait has been in lieu of myriad tales of wounds and death to Agamemnon, and she implores the disgruntled audience to patience, to maintain the council and order. She greets Agamemnon in full grandiloquence, and the king is asked to step into his home on tapestries of crimson unfurled at his wife’s command. But he refuses. I am a only a man, he says, a mortal, and will not support being honored like a god. The spouses clash over this, and Agamemnon is shown as a hard, unyielding man. Clytaemestra tries several different approaches to get him to accept her invitation. Her behavior is suspicious. After some more provocative words, however, Clytaemestra finally persuades Agamemnon to tread against his better judgment. He does so barefoot, as a human, but there is still something ominous in this. They enter the house.

The Chorus meditates on its uncured anxiety. Sight of Agamemnon has brought only more of the doleful dread and morbid fear. The Chorus cannot forget the injustice of the past, and neither, they are sure, can the gods. Sick at heart, they await the inevitable flow of blood. Clytaemestra reappears and orders the strangely mute Cassandra out of the chariot to worship at their altar. When the girl stays put, Clytaemestra leaves, not wishing to waste anymore of her time. Cassandra cries out insanely to Apollo, who the Chorus notes is not a god of lamentation, and utters abstruse prophecies about infanticide, fatal baths, and a murderess in the house. The Chorus believes she merely augurs her own death. They discuss the origin of her gift - and her curse, which auditors forever be incredulous of her veracious forecasts. As predicted, her most clear and disturbing divination, “you shall look on Agamemnon dead,” is misunderstood. Finally, she sees in the future a son (Orestes) who will eventually come to murder the mother (we must assume this is Clytaemestra, although her name appears in none of the prophecies) that kills his father. Cassandra then enters the house, having resolutely accepted it also as her tomb.

From inside the house a sudden cry is heard. Agamemnon has been stabbed in the bathtub. The Chorus, in a panic, disintegrates, and the individual members speak frantically among themselves. They show themselves to be cowards, and Agamemnon cries out again before they even decide to take action. At once the doors of the palace swing open and behold! there lie Agamemnon and Cassandra, dead, with Clytaemestra standing over them. She describes to them, cold-bloodedly, it seems, the gruesome facts of her seduction, entrapment, and murder of the king who, she says, brought them all so much pain. She struck him thrice and gloried in the warm sputters of blood that shot from the wounds. She is remorseless; the Chorus is appalled at her brutality. The old men renounce her immediately. Next, Clytaemestra tries to justify her action as righteous, as ordained by the gods, retribution for the slaughter of her daughter. She portrays herself as an instrument of divine causality, of destiny. The Chorus will not hear of it and continues to wonder how they should mourn the dead king. The meaning of his death is still uncertain. Normally there would be a public lament for the fallen hero. Clytaemestra indicts all Argos in her action and declares that her husband shall not be mourned. Essentially they are debating culpability; that is, whether Clytaemestra’s actions were divinely caused, or whether what she did was motivated by a base, human desire for revenge. In the end, having no other recourse, the fretting Chorus must agree with Clytaemestra.

But, just then, Aegisthus, exiled son of Thyests and the queen’s secret lover bursts into the palace crying that he hatched the plot - he helped murder Agamemnon in revenge for his father (His father, Thyestes, was tricked by Agamemnon’s father into devouring his two sons, Aegisthus’ brothers). The Chorus predicts his downfall as before they had presaged Clytaemestra’s. They accuse him of womanly cowardice for not having killed Agamemnon himself. Tyrannical Aegisthus then threatens the old men and the state with torture and bondage. When the Chorus, insolent to Aegisthus’s boasting, rises up, Clytaemestra intervenes. Orestes is spoken of as the only hope for Argos. Deaf to the impotent gibes of the Chorus, Clytaemestra reminds her lover and new king that they now have the power. They enter the house together, and the doors close behind them.

Aeschylus

**İsyan Ateşi** · 03-03-2008, 07:59 PM

Act 1: The play takes place in Scotland. Duncan, the king of Scotland, is at war with the king of Norway, and as the play opens, he learns of Macbeth’s bravery in battle against a Scot who sided with Norway. At the same time, he hears of the treachery of the Thane of Cawdor, who was arrested. Duncan decides to give the title of Thane of Cawdor to Macbeth.

Macbeth and Banquo, traveling home from the battle, meet three witches, who predict that Macbeth will be Thane of Cawdor and king of Scotland, and that Banquo will be the father of kings. The witches disappear, and Macbeth and Banquo meet up with two nobles who inform them of Macbeth’s new title. Hearing this, Macbeth begins to contemplate murdering Duncan in order to realize the witches’ second prophecy.

Macbeth and Banquo meet up with Duncan, who tells them he is going to pay Macbeth a visit at his home at Inverness. Macbeth rides ahead to prepare his household. Meanwhile, Lady Macbeth receives a letter from Macbeth informing her of the witches’ prophesy and Macbeth’s subsequent new title. A servant appears and tells her of Duncan’s approach. Energized, she invokes supernatural powers to strip her of her feminine softness and prepare her to murder Duncan. When Macbeth arrives at Inverness, Lady Macbeth tells him that she will take care of all the details of Duncan’s murder.

Duncan arrives at Inverness, and Lady Macbeth greets him. Macbeth fails to appear, and Lady Macbeth goes to find him. He is in his room, contemplating the weighty and evil step of killing Duncan. Lady Macbeth taunts him, telling him he will only be a man when he kills Duncan, and that she herself has less softness in her character than he does. She then tells him her plan for the murder, and Macbeth accepts it: they will kill him while his drunken bodyguards sleep, then plant incriminating evidence on the bodyguards.

Act 2: Macbeth has a vision of a bloody dagger floating before him and leading him to Duncan’s room. When he hears Lady Macbeth ring the bell to signal the completion of her preparations, Macbeth follows through with his part of the plan and leaves for Duncan’s room.

Lady Macbeth waits for Macbeth to finish killing Duncan. Macbeth enters, still carrying the bloody daggers. Lady Macbeth again chastises him for his weak-mindedness and plants them on the bodyguards herself. As she does so, Macbeth imagines that he hears a voice saying “Macbeth will sleep no more.” Lady Macbeth returns and assures Macbeth that “a little water clears us of this deed.”

At the gate the porter pretends that he is guarding the door to hell. The thanes knock at the gate, and Macduff discovers Duncan’s body when he goes in to wake him up. Macbeth kills the two bodyguards, supposedly in a fit of grief and rage, when they are discovered with the bloody daggers. Duncan’s sons Malcolm and Donalbain, fearing that their lives are in danger, flee to England and Ireland; their flight brings them under suspicion of conspiring in Duncan’s death, and Macbeth is crowned king of Scotland.

Act 3: Macbeth hires two murderers to kill Banquo and his son Fleance in an attempt to thwart the witches’ prophesy that Banquo will father kings. Lady Macbeth does not know of his plans, and he will not tell her. A third murderer joins the other two on the heath, and the three men kill Banquo. Fleance, however, escapes.

Macbeth throws a feast on the same night that Banquo is murdered, and Banquo’s ghost appears to him, sending him into a frenzy of terror. Lady Macbeth attempts to cover up for his odd behavior, but the party ends up dissolving as the thanes begin to question Macbeth’s sanity. Macbeth decides that he must revisit the witches to hear more of the future.

Meanwhile, Macbeth’s thanes begin to turn from him, and Macduff meets Malcolm in England to prepare an army to march on Scotland.

Act 4: The witches show Macbeth three apparitions that tell Macbeth to fear no man born of woman, and warn him that he will only fall when Birnam Wood comes to Dunsinane castle. Macbeth takes this as a prophecy that he is infallible. When he asks the witches if their prophesy about Banquo will come true, they show him a procession of eight kings, all of whom look like Banquo, the last holding a mirror to signify the reign of James I, the Stuart king for whom Shakespeare wrote this play.

Malcolm tests Macduff’s loyalty by confessing to multiple sins and ambitions. When Macduff proves loyal to him, the two plan the strategy they will use in attacking Macbeth. Meanwhile, Macbeth murders Macduff’s wife, whom he has deserted, along with all his children.

Act 5: Lady Macbeth sleepwalks and reveals her guilt to a watching doctor as she dreams that she cannot wash the stain of blood from her hands. Macbeth is too preoccupied with battle preparations to pay much attention to her dreams, and is angry when the doctor says he cannot cure her. As the castle is attacked, Lady Macbeth dies (perhaps by her own hand). When Macbeth hears of her death, he comments that she should have died at a different time, and muses on the meaninglessness of life. However, he reassures himself by remembering the witches’ predictions that he will only fall when two seemingly impossible things occur.

Meanwhile, the English army has reached Birnam Wood, and in order to disguise their numbers, Malcolm instructs each man to cut a branch from a tree and hold it in front of him as they march on Dunsinane. Witnessing this, Macbeth’s servant reports that he has seen something impossible Birnam Wood seems to be moving toward the castle. Macbeth is shaken but goes out to fight nonetheless. During the battle outside the castle walls, Macbeth kills Young Siward, the English general’s brave son. Macduff then challenges Macbeth. As they fight, Macduff reveals that he was not “born of woman” but was “untimely ripped” from his mother’s womb. Macbeth is stunned but refuses to yield to Macduff. Macduff kills him and cuts off his head. Malcolm is proclaimed the new king of Scotland.

William Shakespeare

**İsyan Ateşi** · 03-03-2008, 08:01 PM

After the Hodja got the recipe for liver from his friend, he bought again some liver and because he liked it very much, he wanted to eat it often.
But everytime when he brought livers he couldn’t eat it, because his wife said that the cat took the liver and fled away.
One day the Hodja became angry and said:
"Woman, I brought liver! Where is it?"
"Oh'?, said his wife. “The silly cat took it and fled away?"

At the same time the cat was in the room. The Hodja caught it, brought a steelyard and weighted the cat. Then he said:
"That is exactly two kilos. And the liver which I brought was also two kilos. Now tell me: If that is the liver where is my cat, if that is the cat, then I want my liver?"

Nasreddin Hodja

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